Messums London
Emerging Landscape Painting Today 9 OCT - 16 NOV '24
Thrilled to be selected for the online exhibition by Messums London. ‘we are excited to present a broader selection of artists through an online exhibition, fostering a wider conversation about the dynamic field of landscape art today. Both exhibitions will be supported by an online symposium, to discuss these elements and bring together all these voices.’
Auc Art
Delighted to be invited to work with AucArt.
AucArt is known as a leading platform to discover and collect works by emerging artists directly from their studios. The site is a tailor-made marketplace for today’s most sought-after emerging artists, exquisitely curated to fulfil collector desires. Boosted by its adaptable digital database and team of art professionals, AucArt offers a bespoke selection of works based on comprehensive market knowledge.
Since its founding in 2017, AucArt has displayed a successful track record in discovering promising artists and opportunely allocating their works as investment pieces. The platform has built a vast global network, growing artist visibility while fostering a community of art enthusiasts and professionals. With its dual-pronged commitment, AucArt aims to champion the current and future generation of artists and collectors around the world, establishing transparent connections across the globe.
Featured The Times, London 19 August 2024
MA Painting at the Royal College of Art
You make your own luck in this life but even so I’m delighted to have been lucky enough to be accepted to study Painting at the World’s No 1 Art University , the RCA. True, it’s taken me over thirty years to earn both the money and the time to study there - but as I’ve learned only too well , you really only do live once, and if it’s late in the day; we have to chase our Sun.
From Burnley to Downing St
When Boris Johnson won the election on the back of the so called Red Wall seats , I sent him a picture of what it looked like to focus his mind on levelling up. To his credit it now hangs in Downing Street, as Art critic David Whetstone reported for Cultured North East.
‘Regeneration is both the exhibition’s title and its theme. It’s a bounce back after the darkest days of the pandemic and a nod to what the North is and might become if the Government delivers on its ‘levelling up’ promises.
The artist tells me that after Boris Johnson won the election by breaching the ‘red wall’, a thought entered his head: “What he needs is a picture of Burnley on his wall.
“I sent half a dozen pictures down to him as pdfs, explaining why I thought he should have one of them. I wanted a picture of the North to be right in front of him.”
Burnley (oil on canvas) was duly selected for the Government Art Collection (GAC) and it hangs at Downing Street, there to be admired by the Prime Minister and his Cabinet.
On the GAC website it is described thus: “landscape 21stC, industrial, urban, bin, street, terraced house, chimney”.
If that isn’t the perfect counterpoint to a Lulu Lytle interior, then I don’t know what is.
But if that blunt inventory sounds bleak, the Kinnear painting style is anything but. With deft brushstrokes and exuberant swathes of colour, he elevates grittiness to something rich and magisterial.’
Public Gallery Solo Show
When The Bowes Museum asked me if I’d like to paint them a solo show about the North of England, no-one knew the pandemic was about to hit, so what was to be another solo for hem became the opening show to take the venue out of the pandemic. Regeneration (Jan - Many 2022) was a huge hit - drawing record visitor numbers, repeat visits, and was eventually extended into May to accommodate artist talks and take advantage of the early Summer crowds.
BBC Look North Feature 20.01. 2022
The BBC filmed Martin during the installation of Regeneration and asked how he went from the council estates of East Lancashire to the Paris Salon, Downing St and The Bowes Museum to bring his message about transformative change to life.
Three Paris Salons: plus one Medaille d’ Argent for Peinture!
Delighted to have exhibited in three consecutive Paris Salons with The Societie Nationale des Beaux Arts.